Minggu, 30 Juni 2013

[W880.Ebook] Download PDF Football Conditioning a Modern Scientific Approach: Fitness Training - Speed & Agility - Injury Prevention, by Adam Owen Ph D

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Adam Owen (UEFA Professional Coaching Licence / Ph.D in Sport & Exercise Science) is the Sport Science & Fitness Coach for the Wales National Team and a Research Science Consultant at SL Benfica. Previously he was Head of Sport Science at Rangers FC and has held senior roles at many other European professional clubs. Assistant author Dr. Alexandre Dellal is the Head of Physical Preparation at OGC Nice and a leading researcher in the world of football science.


The primary aim of this book set is to make use of modern coaching methods and football science principles to educate coaches working with players of all ages and levels. This book will help increase the efficiency of all training sessions and ensure that key components of the game (technical, tactical, physical and physiological) are being developed in conjunction with each other, rather than in isolation, which is fundamental to the development of football players.


In this book (Part 1) we analyse the Distance and Intensity of Running, Physiological Demands of Football and Injuries and Prevention Techniques. We then present Speed & Agility Training Drills, Warm Up Drills and Injury Prevention, Strength and Conditioning Exercises. The second book in this set focuses on Periodization, Seasonal Training and Small Sided Games.

Walter Smith OBE (Former Rangers FC Manager):
''Coaches, at a range of levels, will enjoy the content of this book and be able to integrate the key findings into their training. Maximising the link between the technical, tactical and physical aspect of the game has seen an increased use of technology, analysis and specific personnel to ensure performance levels are maximised, and player injury is minimised. As a result, this book encapsulates these topics and highlights the fact that Adam is one of the most innovative performance coaches, underpinning sound football specific practice with scientific knowledge.''

Aaron Ramsey (Arsenal FC and Wales):
''Having known and worked with Adam for many years at International level, he is someone I enjoy working with and I have benefited in many areas of my game due to his methods and knowledge. I look forward to working with him for many years to come.''

Steven Davis (Southampton FC and Northern Ireland Captain):
''Adam and I worked together for many years during a significant and successful part of my career. His knowledge in his specialised area, and the philosophy he implemented from a science and performance aspect within the club (Rangers FC) was excellent. As a result, it led to an improvement in me as a professional.''

Prof. Del P. Wong (Football Science Researcher):
''Adam's main strength is the ability to link cutting edge science to the on-field performance to stimulate a different thought process as highlighted throughout this book. Attaining the UEFA Pro Coaching Licence and a Ph.D degree, is a rare but very impressive combination which make him very unique in our field. The information provided within this book highlights the link between the science and on-pitch coaching.''

  • Sales Rank: #1134151 in Books
  • Published on: 2016-08-10
  • Original language: English
  • Dimensions: 9.69" h x .53" w x 7.44" l, 1.06 pounds
  • Binding: Paperback

Review
Walter Smith OBE (Former Rangers FC Manager): ''Coaches, at a range of levels, will enjoy the content of this book and be able to integrate the key findings into their training. Maximising the link between the technical, tactical and physical aspect of the game has seen an increased use of technology, analysis and specific personnel to ensure performance levels are maximised, and player injury is minimised. As a result, this book encapsulates these topics and highlights the fact that Adam is one of the most innovative performance coaches, underpinning sound football specific practice with scientific knowledge.'' Aaron Ramsey (Arsenal FC and Wales): ''Having known and worked with Adam for many years at International level, he is someone I enjoy working with and I have benefited in many areas of my game due to his methods and knowledge. I look forward to working with him for many years to come.'' Steven Davis (Southampton FC and Northern Ireland Captain): ''Adam and I worked together for many years during a significant and successful part of my career. His knowledge in his specialised area, and the philosophy he implemented from a science and performance aspect within the club (Rangers FC) was excellent. As a result, it led to an improvement in me as a professional.'' Prof. Del P. Wong (Football Science Researcher): ''Adam's main strength is the ability to link cutting edge science to the on-field performance to stimulate a different thought process as highlighted throughout this book. Attaining the UEFA Pro Coaching Licence and a Ph.D degree, is a rare but very impressive combination which make him very unique in our field. The information provided within this book highlights the link between the science and on-pitch coaching.''

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Kamis, 27 Juni 2013

[P457.Ebook] Download PDF Roles of Teachers and Learners (Language Teaching), by Tony Wright

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An ELBS/LPBB edition is available.

  • Sales Rank: #5128097 in Books
  • Brand: Brand: Oxford Univ Pr (Sd)
  • Published on: 1987-07
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.75" h x 6.75" w x .50" l,
  • Binding: Paperback
  • 176 pages
Features
  • Used Book in Good Condition

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0 of 0 people found the following review helpful.
great
By Salah Meemar
thanks for your dealing i will deal again and again with you because it was nice to deal with you

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Jumat, 31 Mei 2013

[Q782.Ebook] Download Music Notation (Berklee Guide), by Mark McGrain

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(Berklee Methods). Learn the essentials of music notation, from fundamental pitch and rhythm placement to intricate meter and voicing alignments. This book also covers the correct way to subdivide rhythms and notate complex articulations and dynamics. An excellent resource for both written and computer notation software!

  • Sales Rank: #233366 in Books
  • Brand: Berklee Press
  • Model: 50449399
  • Published on: 1990-07-01
  • Released on: 1990-07-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 12.00" h x .54" w x 9.00" l, 1.58 pounds
  • Binding: Paperback
  • 216 pages
Features
  • 216 Pages
  • Berklee Methods
  • Softcover
  • Author: Mark McGrain

From the Publisher
Learn the essentials of music notation, from fundamental pitch and rhythm placement to intricate meter and voicing alignments. Learn the correct way to subdivide rhythms and notate complex articulations and dynamics. This guide will teach you how to create professional manuscripts and is an excellent resource for both handwritten notation and computer software programs.

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44 of 46 people found the following review helpful.
Important Skill Whether Using Pencil, Ink or Mouse
By frankp93
In this age of notation software, MIDI event views and direct wave editing, it's reasonable to ask: Is writing music manuscript by hand an archaic, dying art? I like to think not, though I have no illusions about the generation raised with electronic memo pads in their back pockets where I once carried a small spiral one.

Call me old-fashioned but the image of someone whipping out a piece of manuscript at a rehearsal or in between sets and suddenly scribbling down an idea for a harmony part or an extended jam interlude is just too familiar. When I'm writing something, with or without an instrument in hand, I find the less I have to "operate" as in clicking mouse buttons or touch pens the less distracted I am. Call it left brain intruding on right brain or whatever, we all have to find our own working

path.

Mark McGrain's "Music Notation" was written before such electronic possibilities became widespread, when communicating written musical ideas accurately and efficiently demanded correct and legible notation skills. I'd argue it's still a valuable skill to have and this book lays out the principles

in a thorough, progressive way, requiring little more than manuscript paper, pencil and straightedge.

Unlike that other notation classic "The Art of Music Copying" by Clinton Roemer, McGrain's book is geared not towards teaching you to be a professional "ink" music copyist for which, frankly, job opportunities are likely non-existent. Rather McGrain views notation skills as a valuable part of musicianship, whether in the context of studying, performing, arranging or composing.

Being a Berklee book, it's geared towards jazz instrumentation. I'd recommend Gardner Read if you're searching for a classical text, particularly 20th century techniques.

McGrain begins with rhythmic subdivisions and pitch notation within what he calls the notational grid. He combines micro-detail (how to draw note ovals and stems) with the larger

context of spacing and beaming notes in bars to achieve a uniform appearance across the score page. Articulation

and phrasing markings, tempo, divisi parts, everything you might encounter on a jazz orchestral (and frankly, quite a lot of classical scores) is not just covered, but explained.

And that's a key part of the justification here: notation software often provides you with a "how to" but often

neglects the "why to", many times forcing you into a particular formating that's counter intuitive to the way you conceptualize the music. Yes, you can often jump through hoops to get the

notes precisely the way you want them, but without the knowledge of why particular conventions are used, it's easy to blindly (blandly?) accept an often compromised solution.

Years ago there was an exhibit called "Settling New Scores" in New York at the Frick Library.

It included a gallery of music manuscripts from a variety of 20th century composers. The sheer beauty, variety, and personality that came through those pages was as impressive as any "visual art" show I'd been to. Sure, music will always be first and foremost about the ear; but as they say on the Food Network, "Presentation counts".

0 of 0 people found the following review helpful.
EXCELLENT BOOK
By tamarezcool
I am beginning read, if you want to write handwriting music, it is perfectly, You will improve a lot.

13 of 14 people found the following review helpful.
clear, concise, detailed
By J. Bernards
I was first introduced to this well laid out text as a student at Berklee. I found the step by step guidelines to be very helpful. Mark guides the reader through the process of drawing each notation symbol with a no-nonsense easy to follow approach. Each chapter concludes with a comprehensive exercise sheet. I continue to use the book as a reference text everyday.

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  • Sales Rank: #12928949 in Books
  • Published on: 1992
  • Binding: Paperback

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  • Published on: 1602
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A sweet clean romance.. Fill your heart with sweet romance.

Includes a brief excerpt at the end from Sandra Edwards' romance, CRAZY FOR YOU!

Kevin Wake hates being rich. He despises everything his father stands for, but he can’t abandon his kid sister and baby brother. Their future is tied to his own. When his father threatens to rob them all of their mother’s legacy, Kevin takes bold action to protect what should be theirs.

Megan Mully is out of the hospital at last. But she’s homeless, jobless, broke and alone. Love is the last thing on her mind. Kevin is just a means to an end. She never expected him to steal her heart!

  • Sales Rank: #9874 in eBooks
  • Published on: 2012-08-30
  • Released on: 2012-08-30
  • Format: Kindle eBook

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71 of 71 people found the following review helpful.
Fun and engaging
By J. Richards
I love books like this, with good character arcs that show the evolution of the characters in response to the events of the story and their interactions with each other. And I love books like this where you can meet characters you would actually want to know in the real world, people who feel like friends. The result is a story in which I became invested in the characters and cared about what ended up happening to them. I loved seeing the interesting approaches that Megan took to solving problems going on with Kevin's siblings that had previously stymied Kevin's parents. And I liked the way the complications in the plot served to alter the relationship between Kevin and Megan, pulling them rapidly out of the superficial levels of interaction that are common at the beginnings of relationships. so if you are looking for something interesting to while away an afternoon, I highly recommend this fun and heart-warming romance.

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This was a sweet book. First couple of pages were slow-going for me, but the story picked up for me after that. And really, it's just difficult for me to understand what I feel are archaic traditions. Kevin must marry before his 25th birthday, or lose his inheritance of the family ranch. Enter Megan, sweet, moralistic, and laden with medical bills from a terrible car accident that left her financially broke. They meet through a want ad Kevin takes out, searching for a personal secretary (fake fiance) that Megan applies for & go from there. I liked all of the characters, including Kevin's somewhat difficult younger siblings. Their antics made me smile more than once. Kevin's father, (the villain) only succeeded in bringing Kevin & Megan closer together in the end. Personally, I could have used a little, shall we say, "heat". So, it's a sweet read sans heat. Either way though, I feel it was well written.

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The most-trusted literature anthology of all time, now in its 50th year.

The Ninth Edition offers more complete works and more teachable groupings than ever before, the apparatus you trust, and a new, free Supplemental Ebook with more than 1,000 additional texts. Read by more than 8 million students, The Norton Anthology of English Literature sets the standard and remains an unmatched value.

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  • Sales Rank: #102555 in Books
  • Brand: Brand: W. W. Norton Company
  • Published on: 2012-02-08
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.20" h x 1.30" w x 6.00" l, 1.95 pounds
  • Binding: Paperback
  • 1104 pages
Features
  • Used Book in Good Condition

About the Author
Stephen Greenblatt (Ph.D. Yale) is Cogan University Professor of the Humanities at Harvard University. Also General Editor of The Norton Anthology of English Literature, he is the author of eleven books, including The Swerve: How the World Became Modern (winner of the 2011 National Book Award and the 2012 Pulitzer Prize); Shakespeare's Freedom; Will in the World: How Shakespeare Became Shakespeare; Hamlet in Purgatory; Marvelous Possessions: The Wonder of the New World; Learning to Curse: Essays in Early Modern Culture; and Renaissance Self-Fashioning: From More to Shakespeare. He has edited seven collections of criticism, including Cultural Mobility: A Manifesto, and is a founding coeditor of the journal Representations. His honors include the MLA’s James Russell Lowell Prize, for both Shakespearean Negotiations: The Circulation of Social Energy in Renaissance England and The Swerve, the Sapegno Prize, the Distinguished Humanist Award from the Mellon Foundation, the Wilbur Cross Medal from the Yale University Graduate School, the William Shakespeare Award for Classical Theatre, the Erasmus Institute Prize, two Guggenheim Fellowships, and the Distinguished Teaching Award from the University of California, Berkeley. He was president of the Modern Language Association of America and is a fellow of the American Academy of Arts and Sciences, the American Philosophical Society, and the American Academy of Arts and Letters.

Carol T. Christ (Ph.D. Yale) is Professor Emeritus of English at the University of California, Berkeley, and President of Smith College. She is the author of The Finer Optic: The Aesthetic of Particularity and Victorian Poetry and Victorian and Modern Poetics and editor of the Norton Critical Edition of The Mill on the Floss and, with John Jordan, Victorian Literature and the Victorian Visual Imagination. She is the recipient of an NEH Fellowship and a member of the American Academy of Arts and Sciences.

Alfred David (Ph.D. Harvard) is Professor of English Emeritus at Indiana University. He is the author of The Strumpet Muse: Art and Morals in Chaucer’s Poetry, and editor of the "Romaunt of the Rose" in The Riverside Chaucer and, with George B. Pace, "Chaucer’s Minor Poems I" in The Variorum Chaucer. He is the recipient of a Sheldon Travelling Fellowship and Guggenheim and Fulbright Research fellowships and past president of the New Chaucer Society.

Barbara K. Lewalski (Ph.D. Chicago) is William R. Kenan Professor of English and of History and Literature at Harvard University. She is the recipient of the MLA’s James Russell Lowell Prize for Protestant Poetics and the Seventeenth-Century Religious Lyric and the Explicator Prize for Donne’s Anniversaries and the Poetry of Praise. Her other books include Paradise Lost and the Rhetoric of Literary Forms, Writing Women in Jacobean England, Milton: A Critical Biography, and The Polemics and Poems of Rachel Speght (editor). Lewalski is the recipient of Guggenheim and NEH Senior fellowships and is a fellow of the American Academy of Arts and Sciences and Honored Scholar of the Milton Society.

Lawrence Lipking (Ph.D. Cornell) is Professor of English and Chester D. Tripp Professor of Humanities at Northwestern University. He received the Phi Beta Kappa Christian Gauss Prize for The Life of the Poet. He is also the author of The Ordering of the Arts in Eighteenth-Century England; Abandoned Women and Poetic Tradition; and Samuel Johnson: The Life of an Author and editor of High Romantic Argument. Lipking is the recipient of Guggenheim, ACLS, Newberry Library, Wilson International Center for Scholars, and NEH Senior fellowships and is a fellow of the American Academy of Arts and Sciences.

George M. Logan (Ph.D. Harvard) is a Senior Fellow of Massey College in the University of Toronto and the James Cappon Professor of English Emeritus at Queen’s University, Canada, where he was head of the English Department for nine years and an award-winning teacher. He is the author of The Meaning of More’s Utopia and principal editor of the Cambridge edition of Utopia (Latin and English), editor of the Norton Critical Edition of Utopia (3rd edition), More’s History of King Richard the Third, and The Cambridge Companion to Thomas More, and coeditor, with Gordon Teskey, of Unfolded Tales: Essays on Renaissance Romance; he has also written a history of the Indiana University School of Music.

Deidre Shauna Lynch is Chancellor Jackman Professor and Associate Professor of English at the University of Toronto. She is the author of The Economy of Character, which was awarded the MLA’s Prize for a First Book, and editor of Janeites: Austen’s Disciples and Devotees and, with William B. Warner, Cultural Institutions of the Novel. She is also an editor of The Norton Anthology of English Literature. She is the recipient of fellowships from the National Humanities Center and the John Simon Guggenheim Memorial Foundation, of the State University of New York Chancellor’s Award for Excellence in Teaching, and of the Northeast Association of Graduate Schools’ Graduate Faculty Teaching Award.

Katharine Eisaman Maus (Ph.D. Johns Hopkins) is James Branch Cabell Professor of English at the University of Virginia. She is the author of Being and Having in Shakespeare; Inwardness and Theater in the English Renaissance; and Ben Jonson and the Roman Frame of Mind; editor of a volume of Renaissance tragedies; and coeditor of English Renaissance Drama: A Norton Anthology, The Norton Anthology of English Literature, and a collection of criticism on seventeenth-century English poetry. She has been awarded Guggenheim, Leverhulme, NEH, and ACLS fellowships, and the Roland Bainton Prize for Inwardness and Theater.

James Noggle (Ph.D. UC Berkeley) is Professor of English at Wellesley College. He is author of The Skeptical Sublime: Aesthetic Ideology in Pope and the Tory Satirists; his second book, The Temporality of Taste in Eighteenth-Century British Writing, is forthcoming from Oxford. He is the recipient of fellowships from the American Council of Learned Societies and the American Philosophical Society.

Jahan Ramazani (Ph.D. Yale and M.Phil. Oxford) is Edgar F. Shannon Professor of English at the University of Virginia, previously the Mayo NEH Distinguished Teaching Professor. He is the author of Transnational Poetics, which won the Harry Levin Prize of the American Comparative Literature Association, and of Poetry of Mourning: The Modern Elegy from Hardy to Heaney, which was a finalist for the National Book Critics Circle Award. He is also the author of The Hybrid Muse: Postcolonial Poetry in English and Yeats and the Poetry of Death: Elegy, Self-Elegy, and the Sublime. He is coeditor of The Norton Anthology of Modern and Contemporary Poetry. Ramazani is the recipient of a Guggenheim Fellowship, a National Endowment for the Humanities Fellowship, a Rhodes Scholarship, and the William Riley Parker Prize of the Modern Language Association.

Catherine Robson (Ph.D. UC Berkeley) is Associate Professor of English at New York University and a faculty member of the Dickens Project. She is the author of Men in Wonderland: The Lost Girlhood of the Victorian Gentleman and Heart Beats: Everyday Life and the Memorized Poem (forthcoming), and has received fellowships from the NEH, the Guggenheim Foundation, the University of California, and the Wissenschaftskolleg zu Berlin.

James Simpson (Ph.D. Cambridge) is Douglas P. and Katherine B. Loker Professor of English at Harvard University and former Chair of Medieval and Renaissance English at the University of Cambridge. An Honorary Fellow of the Australian Academy of the Humanities, he is the author of Piers Plowman: An Introduction to the B-Text (1990); Sciences and the Self in Medieval Poetry (1995); Reform and Cultural Revolution, 1350–1547; Volume 2 of The Oxford English Literary History (2002); Burning to Read: English Fundamentalism and Its Reformation Opponents (2007); and Under the Hammer: Iconoclasm in the Anglo-American Tradition (2010).

Jon Stallworthy (M.A. and B.Litt. Oxford) is Senior Research Fellow at Wolfson College of Oxford University, where he is an Emeritus Professor of English Literature. He is also former John Wendell Anderson Professor at Cornell, where he taught after a career at Oxford University Press. His biography of Wilfred Owen won the Duff Cooper Memorial Prize, the W. H. Smith Literary Award, and the E. M. Forster Award of the American Academy of Arts and Letters. His biography of Louis MacNeice won the Southern Arts Literary Prize. He is also the author of Rounding the Horn: Collected Poems and Singing School: The Making of a Poet, and editor of the definitive edition of Wilfred Owen’s poetry, The Complete Poems and Fragments; The Penguin Book of Love Poetry; The Oxford Book of War Poetry; and coeditor of The Norton Anthology of Poetry. Stallworthy has received a Guggenheim Fellowship and is a Fellow of the British Academy and the Royal Society of Literature.

Jack Stillinger (Ph.D. Harvard) is Center for Advanced Study Professor of English Emeritus at the University of Illinois. He is the author of The Hoodwinking of Madeline and Other Essays on Keats’s Poems, The Texts of Keats’s Poems, the standard edition of The Poems of John Keats; Multiple Authorship and the Myth of Solitary Genius; Coleridge and Textual Instability; and Reading "The Eve of St. Agnes." He is the recipient of Guggenheim and Woodrow Wilson fellowships and is a fellow of the American Academy of Arts and Sciences.

M. H. Abrams (1912―2015) was Class of 1916 Professor of English, Emeritus at Cornell University. He received the Phi Beta Kappa Christian Gauss Prize for The Mirror and the Lamp and the MLA's James Russell Lowell Prize for Natural Supernaturalism. He is also the author of The Milk of Paradise, A Glossary of Literary Terms, The Correspondent Breeze, and Doing Things with Texts. He is the recipient of Guggenheim, Ford Foundation, and Rockefeller Postwar fellowships, the Award in Humanistic Studies from the Academy of Arts and Sciences (1984), the Distinguished Scholar Award by the Keats-Shelley Society (1987), and the Award for Literature by the American Academy of Arts and Letters (1990). In 1999 The Mirror and the Lamp was ranked twenty-fifth among the Modern Library's "100 best nonfiction books written in English during the twentieth century."

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2 of 2 people found the following review helpful.
Leave my wallet alone Norton!!
By Sora
I'm not a fan of Norton and their overpriced textbooks but this one had a pretty interesting selection.

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Five Stars
By Melissa Owen
Excellent condition and price

1 of 2 people found the following review helpful.
Can Not Go Wrong with Greenblatt
By Veronica J. Barnard
I adore Greenblatt and the whole Norton Anthology collection of English Literature. This edition is another literary success.

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